In Flanders Field

and popular across the pond was

“Over There” – United States of America (1917) Patriotic Song With English & Thai lyrics

in other news, the hill:

A federal judge on Wednesday declined to delay a Friday deadline for the National Archives to begin handing over Trump administration documents to the House January 6 Select Committee.
Lawyers for former President Trump had asked for a stay after U.S. District Judge Tanya Chutkan rejected his lawsuit seeking to block the documents from being released while he appeals.
In a six-page decision on Wednesday, Chutkan, an Obama appointee, denied Trump’s request for a temporary stay for essentially the same reasons that she ruled against blocking the documents from being handed over.
“In his renewed motion, despite the fact that he requests essentially the same relief as in his original preliminary injunction motion, Plaintiff has not advanced any new facts or arguments that persuade the court to reconsider its November 9, 2021, Order,” Chutkan said in her decision.
“The court’s analysis previously rejecting Plaintiff’s requested relief is thus equally applicable here: Plaintiff is unlikely to succeed on the merits of his claims or suffer irreparable harm, and a balance of the equities and public interest bear against granting his requested relief,” she added. 
The move will likely mean that Trump’s legal team will have to scramble ahead of Friday’s deadline to get an emergency stay from the D.C. Circuit Court of Appeals. If that fails, Trump will have to ask the Supreme Court to take action.
[continues]

wiki:

Eric Bogle (born 23 September 1944) is a Scottish folk singer-songwriter. Born and raised in Scotland, he emigrated to Australia at the age of 25, to settle near Adelaide, South Australia. Bogle’s songs have covered a variety of topics, and have been performed by many artists. Two of his best known songs are “No Man’s Land” (or “The Green Fields of France”) and “And the Band Played Waltzing Matilda“, with the latter named one of the APRA Top 30 Australian songs in 2001, as part of the celebrations for the Australasian Performing Right Association‘s 75th anniversary.
[…]
Eric Bogle was born on 23 September 1944 in Peebles, Scotland. His father was a railway signalman who played the bagpipes. Bogle started writing poetry when he was eight years old. After attending school until he was sixteen, Bogle worked in various trades: labourer, clerk and barman. In 1969, Bogle emigrated to Australia and initially lived in the capital, Canberra, where he worked as an accountant. He had an interest in politics and by 1980 had moved to Queensland before settling in Adelaide
[…]
Bogle taught himself to play guitar and joined a skiffle and rock band.^[2] He was the leader of Eric and the Informers in Scotland.^[1] His early influences were Lonnie Donegan, Elvis Presley and Ewan MacColl.^[2] He turned to folk music prior to emigrating to Australia – his first written songs concerned his parents. One of these, “Leaving Nancy”, which sang of the day he left home for Australia, being the last time he saw his mother Nancy, was often covered, most notably by The Dubliners and The Fureys.^[1] When living in Canberra he joined the local folk music scene and performed occasionally.^[2]

Several of his most famous songs tell of the futility or loss of war. Prominent among these is “And The Band Played Waltzing Matilda“, written in 1971. The lyrics recount the experiences of a member of the Australian and New Zealand Army Corps (ANZAC) in the Battle of Gallipoli. It has also been interpreted as a reaction to the Vietnam War.

Another of his best-known songs, “No Man’s Land“, is also World War I-themed. This song is commonly known as “The Green Fields of France”, a title it was first given by The Fureys, and which has subsequently been used in many further cover versions. The song refers to the traditional Scottish song “Flowers of the Forest” being played over the grave of a World War I soldier. Bogle deliberately gave the dead soldier an Irish name (“Willie McBride”) as a counter to the anti-Irish sentiment prevalent in Britain during the 1970s. [continues]