Sunday Serendipity

Montgomery Variations by Margaret Bonds

For more about Bonds and this composition

Bonds’ original program for the Montgomery Variations included a descriptive note for each movement. [Sometime after 1966 she shortened these descriptions, as seen in the concert order printed above.]

I. DECISION
The Negro decides to rise against his oppressors.

The Negro in America is a Judeo-Christian. Though, in many instances[,] his religion is unenlightened, deep in his consciousness is an unshakeable faith in God, the Father, and in his “only begotten son,” Jesus. In his most courageous stand against his oppressors, then, it is the faith in the Divine intelligence which enables him to employ the methods of Passive Resistance — and thereby martyr himself for the Cause of Brotherhood and Democracy.

II. PRAYER MEETING
Before the Bus Boycott the Negro calls on God.

As all Negroes in America, the Negroes in Montgomery gathered in their churches to pray — some in eloquent silence, and others releasing themselves of their repressions with tambourines and shouting, and in many Negro church meetings there is always one sister or brother who cannot restrain himself from resorting to body gesticulations including lifting his arms to heaven and beating his feet — many times marching up and down the aisles of the church, unrestrainedly exhibiting his humility to Almighty God, as well as to the assembled worshippers.

III. MARCH
“If Jesus Goes With Me I’ll Go.” “Blessed Assurance, Jesus is Mine.” As the early Christians, now the Negroes of Montgomery were willing to be thrown to the lions. Jesus, walking with them, they refused to ride on segregated buses.

“Love Ye One Another,” no violence, but no longer would they be subservient to their white bothers. Thus, a steady, determined walking to their jobs to earn their daily bread.

IV. DAWN IN DIXIE
Montgomery is no isolated town. Montgomery became a focal point of the world. The entire South, “Dixie,” began to wake up that something new was happening. Change, no matter how painful, is the Divine Plan.

There is honeysuckle, magnolias, and Spanish Moss hanging from trees it destroys. Spanish Moss is a parasite — miles of it are depressing. Swamps are foreboding. Perhaps one day then, even the camellias known as “Pink Perfection” laugh at the people of the South. The “Dawn in Dixie” caused all of America to awaken.

V. ONE SUNDAY IN THE SOUTH
What is meant by “Southern die-hards?” The Negros were having such a good time praising God and Jesus one Sunday morning in Alabama. (The trumpet announces “I Want Jesus to Walk With Me,” in a major key.) Little children were being taught Faith and to love their neighbors. Die-hards planted a bomb in the church to teach Negroes their place.

VI. LAMENT
In the Passive Resistance Movement one does not resort to violence. “Vengeance is mine sith the Lord.” One cries, moans and groans and calls for help from the Mother-Father God. Here the theme is stated simply, with little decoration, with exception of a few embellishments natural to Negro improvisation in their churches of the primitive type.[…]

[VII. BENEDICTION. No description for this final movement was including in Bonds’ original notes. The description appearing in later versions reads, “A benign God, Father and Mother to all people, pours forth Love to His children – the good and the bad alike.]

Sunday Jazz

This week I ran across an assorted play list of performances by Jazz, tenor sax great Stan Getz. Starting with his most famous collaboration with João Gilberto, his wife Astrud, and Antônio Carlos Jobim. “The Girl from Ipanema”.  From Bebop to Bossa Nova to fusion Jazz, Getz’s cool sax sound was there.

Enjoy, Jack

Sunday Serendipity

Fantasia on Auld Lang Syne, composed by Ernest Tomlinson

Fantasia: a potpourri of well-known airs arranged with interludes and florid embellishments

From Wikipedia:

The piece, lasting around 20 minutes, is a set of variations on Auld Lang Syne in the form of a quodlibet – a musical composition that combines several different melodies, usually popular tunes, in counterpoint, often in a light-hearted, humorous manner. The composer conceived it as an answer to Elgar‘s Enigma Variations, in which the original theme is never stated. Here Tomlinson introduces at least 129 well-known tunes, often overlapping, taken from classical and folk sources. Auld Lang Syne is always present as a counter melody

Enjoy, Jack

Sunday Serendipity

Not ready yet for Christmas, (I did finally get most of my Christmas lights up outside) Not in a “Bah! Humbug!” mood, it just doesn’t feel as if Christmas is less than 2 weeks away.

With that, today’s selection, while proper for the season, doesn’t have a Christmas vibe. It is Billy Strayhorn’s arrangement of Tchaikovsky’s Nutcracker Suite performed by the Duke Ellington Orchestra. Guaranteed to get your fingers a snappin’ and your toes a tappin’

Enjoy Jack

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